![]() ![]() This applies to the opera Die Loreley, which offers a rewarding listening experience, as well as to his three symphonies composed between 18 and originally intended as a series of works forming a trilogy. Instead, Bruch himself much too quickly and all too often lost his faith in his "musical progeny" because he did not have the patience to let them mature in peace and to secure a place in the broader public consciousness. ![]() The reason behind this has nothing to do with the superlative, worldwide renown of the first of his violin concertos, or with his musical language, which had already fallen out of fashion when he died exactly a hundred years ago. Max Bruch has never made things easy for fond listeners or performers of music his contemporaries found him hard to handle, and so have later generations. Robert Trevino, Bamberger Symphoniker - Max Bruch: Symphonies 1-3 Overtures (2020)ĮAC | FLAC | Image (Cue & Log) ~ 680 Mb | Total time: 149:04 | Scans includedĬlassical | Label: CPO | # 555 252-2 | Recorded: 2019 All this required respect for the exact point in which embellishments have to be added (without exceeding), because: ‘nothing is more beautiful and moving than what is simple’. The idea that ‘true expression depends on the sound, intonation, movement, taste and aplomb of the measure’ was a constant tenet with Campagnoli, as was his insistence on the need to understand clearly the character of each piece in order to appreciate to the full the composer’s intentions. He thus enjoyed a florid exchange with some of the most famous teachers and Nevertheless, there is an unmistakably composers of the time, in particular with Cherubini and Kreutzer. In 1797 he was made concert director and first violin at the Gewandhaus in Leipzig, a post that he held until 1818, although he also maintained his contacts with the most advanced and influential cultural centres of Europe. Campagnoli’s career as a concert performer began in Rome in 1775, continuing in a long tour of the courts of the capital cities of Europe. ![]() The 41 Caprices he wrote for viola and the 7 Divertimenti for solo violin are still in use today. ![]() The considerable fame that Bartolomeo Campagnoli (1751–1827) achieved during his own lifetime was largely due to his contribution to violin studies. 22, arranged for Viola & Piano by Carl Albert Tottmann (2022) Marco Misciagna & Marco Ciannella - Campagnoli: 41 Caprices for Viola, Op. ![]()
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